suspicious circumstances (the crime of)

East Chicago, IN
May 21, 2003

A hobby photographer was detained, frisked, interrogated, threatened with indefinite detention, and ultimately had his camera and film confiscated due to the crime of “suspicious circumstances” – the crime according to the police report of the incident.

The photographer was stopped by police after British Petroleum security agents called the East Chicago, Indiana police. The photographer was informed that taking pictures of the BP plant and surrounding area was “suspicious”. The photographer’s camera was confiscated, and he was threatened with indefinite detention if he did not hand over the film in the front seat of his car.

The photographer was told his film would be developed and the pictures sent to the FBI. The photographer was also informed that any future picture-taking should be done only after getting BP and government approval. The photographer was finally told that if he is seen taking picture in East Chicago again, he will be immediately taken into custody. Police informed the photographer that these measures are necessary to prevent terrorism.

 

pd report page 1
pd report page 2
tag on confiscated camera
aerials of the oil tanks
(seamless how-to for above / and beyond…)
marktown historic district webpage
aerials of marktown
this photographer had more success
more from him…
bp pollution

window design

my modified version of the article below.

—–
> Daniela Deane, Washington Post
> Monday, January 27, 2003
> http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2003/01/27/BU85184.DTL’

> Andersen’s new entrant, which isn’t for sale yet, is a bay window that
> doubles as a home entertainment center. A low-voltage current runs
> through the window. When the current is on, the window is clear. Turn
> the current off and the glass goes opaque for use as a projection
> screen for television or DVDs. Flanking casement windows become the
> speakers.

> “The transformation is….

imperceptible

> ,” said Sandy Isenstadt, a
> professor of architecture at Yale University. “One minute you’re
> looking out your bay window at your neighbor’s backyard, and the next
> you’re watching …

a real-time image of your neighbor’s backyard with an image of a
murder spliced in. Utilizing previously developed advertising
technology – such as that developed to present personalized
advertisements on blank walls in sports arenas, spliced in by
computers in the studio, and recast with the updated image to
specific areas or audiences. By utilizing the home computer, the
internet, this new window technology and each individual’s profile
(profile assimilated by credit reports, credit cards, school records,
medical and psychological records, criminal and employment records,
etc.), produces an individualized image for each family based on who
is viewing. For a fee, you can watch as your backyard turns into a
playground of nudes. Or, for a fee-less system, small advertisement
chunks will be inserted into your backyard seamlessly. A truck with
FEDEX is parked in back. The label on your neighbor’s beer is
replaced by Budweiser. Anti-drug messages are inserted via
conversations that people in the alley are having, courtesy of the
government and the anti-drug message credits for ads program (as
exposed on salon on network television a few years ago).

‘Really, this is only the beginning of augmented reality – a reality
controlled both by corporations and the government, personalized to
get you to act in an appropriate (profit and product bearing) manner.
Imagine once eyeglasses and hearing aids are modified, and beyond
this, the actual eye and ears. The point is that reality is no longer
something that exists exterior to the media. You can no longer trust
your senses. The division between real and virtual is one that is
clearly manipulated to profit those in power. Baudrillard once said
that disneyland exists to make us believe the rest is real. Thus,
traditionally, modes of virtual are clearly demarcated, so that the
subtle (virtual) manipulations of reality are not distrusted.’

Said a crazed prophetic street walking messenger.

‘For now, trust only what you can touch and feel, and who knows how
much longer we can trust that.’

Prologue (Textual Explorations Book 1)

textplore1_prologue textplore1_ch00 textplore1_ch01 textplore1_ch02 textplore1_ch03 textplore1_ch04 textplore1_ch05 textplore1_ch06 textplore1_ch07 textplore1_ch08 textplore1_ch09 textplore1_ch10 textplore1_ch11 textplore1_ch12 textplore1_epilogue

Found this trashy romance novel at the el stop. Was going to use it as
a notebook, but when I opened it, decided it would be much more
interesting if the text that was already there served as more than
some artsy background. What if, instead, a sort of intercourse could
occur that would redefine both the textual background and the textual
foreground?

So I took my fat black magic marker and started marking stuff out;
underlining and circling words, sentences, paragraphs; reconnecting
and inserting text between and on top of and underneath; selecting and
editing; repeating words, phrases, images; subverting; exposing;
re-inventing; (re)creating….

I write about things I would never write about; I say things I would
never say; I tackle languages and meanings I would never touch. And
while I am within it, navigating through it, producing and not
producing it, I’m really not worried about whose it is or where the
line of authorship is. There is no limit, as there is a certain
dissociation, a certain non-authorship, a certain suspension of self
and other. A new life is created which can never be mine, and can
never be theirs. The creation doubles over, speaking of its own
interactions. The meaning brought out, skimmed and produced, subverts
and doubles, constructs and de-constructs the original text. The
original no longer exists without its mutated double, its child.

Landscapes become explicit. Frictions are mined. The horizontal plane
constructed between is encircling, enabling – as sometimes I am below,
sometimes above. Sometimes following the wind, sometimes the sea, but
always it is an interaction, a navigation, of the immediate as
opportunity, not possibility. While afterwards, in reading the new
production from outside the plane, the plane seems to be only a new
construction, a new production, a new line cut between self and other,
while within it, the plane is non-separated; the production and
process redefine themselves; the self and other are continually
reinvented. The path, the construction, is navigated through
intuition on a semi-and-sub-conscious level – as the self-construction
is the product, the interaction, the vertical of the forces. The self
is not transcendent, but a simultaneous product and production, not
fully conscious because never aware or directing all force, only
navigating. The consciousness continually redefined by its self.

Sometimes I take the plane and turn it against its self, attempt to
reconcile the lost self, attempt to form a concrete and absolute logic
of self/other, attempt to cut the present with images of the past. The
cutting edge becomes the plane turned vertically opposing its self,
redefining its self, re-creating its self through contractions of
belief. And there is a definite blindness to this sort of creation:
the contraction of belief is blind to its own production of the plane
of truths – truths that redefine and reconcile, separate and connect;
truths that even turn against the belief that creates them, forsaken.

Sometimes I operate conscious of my blindness. While within the plane,
while within the process, there is no outside, no form or space, no
self or other, no binary, except for the one (re)created – a cutting
edge of immediate fluidity that coagulates to a plane of static form
and structure (belief) only in the past. For at the cutting edge there
are only forces. I follow and find, navigate between. There is only
continual (re)creation, operating intuitively and immediately while
within it. The vertical frictionpiece redefines the horizontal
plane. Looking behind, I see a wake of redistributed truths. Looking
forward, there is only snow-blind and immediate (re)creation. Belief
re-creates blindly. Faith is the inherent blindness of
(re)creation. Creation is that blind instant where the self goes
beyond the self.

The inhabitation of the process of creation, the act of creation, is
what I dare to call art, what I dare to call life. The products are
only the remnants. The adult artist is an artist of product – she
quits her production at the climax of ambiguity, interest, and
possibility, in order to leave the product pregnant with
viewer-actuated (commodifiable) potential. The child artist is an
artist of process – she quits production when the process has ceased
to interest, when the vector has ran out, when the vehicle must be
abandoned as it no longer transports. The artist of death creates a
prepared vehicle, a kinetic coaster rolled to the top for the viewer
to enter. But the artist of life does not inhabit nor construct the
technical utopias of programmed possibilities, the pre-constructed
spaces of empowerment. For empowerment is always the false and
inverted image of power, the hologram by which power perpetuates
itself.

It is the artist of life who takes the vehicle not as the inverse
promise of the (absent) possibility of utopia, but as the immediate
tool that can break the very limits it was built to construct. The
text escapes the possible meanings given, the possible worlds
provided, through an opening, a creation, which is and is not its own.

 

Epilogue (Textual Explorations Book 1)

Catch me, I’m falling

I always thought it would be different – that I could
escape in tact. Exit stage left. A free me.

Catch me, I’m crumbling.

The walls were to come down, yes, and the ceiling too,
yes. And a million openings to let the light through like a
million open doors onto an infinite space.

Catch me, I’m imploding.

But not the ground. No – not the ground and the space
and the very matter of self. Ok, I had anticipated it, but
only in the abstract. The dissolution of other must be the
dissolution of self, yes. But when the ground opens under
you – and space becomes only a flattened delusion. And
the very skeleton and tissue and flesh by which I define
myself beomes molecularized, vaporized.

Help me, I’m falling.

And the very definition of self is gone, not just the defini
tion – the very reality of self is gone and here I am per
ceiving, but perceiving what. And ambition is lost, not
just abandoned; and the future is lost, not just aban
doned. And all the divisions, binaries, economies and
spaces lost, far from abandoned.

Help me, I’m running.

There’s no going back. For there was no path, but a
rupture. Like a child picking up wet sand forms that
crumble between the fingers, I keep looking, holding,
crumbling all to dissolve. Is this entropy? My greatest
fear sprung from desire? (It is not a doubt, it is the doubt
– consuming all.) And now I only pray (to whom?) Please
stop it. Now I only pray to myself – absent. Please leave
that alone. Not them. Not that. Let the links dissolve but
not the forms. How to save them? How to save them
from my self – my crumbling self? How to preserve them
as an other – linked?

Help me, I’m loving.

Am I on the border of the true love, the one without self
and other? Or is it simply death – the dissolution of the
self. There is no way to find out prior. There is no way to
stop it. And I dare not wish it. And I dare not think it. –
that love and destruction are one and the same.

April 9, 2003

Intent

This is a letter of intent not for my schooling or profession or future positions, but rather an expression of my intent to follow a direction, a process, a mode. It would thus be somewhat contradictory to define a plan. Instead, what I describe is, not a plan per se, but a series of experimentations to be followed, openings to be explored – amorphous, organic, and opportunistic.

In overcoming the division between theory and practice, between plan and action, between research and development, the only possibility is to work within a process. Thus, I intend to explore modes of (re)production, (re)creation, modes of living, modes where meaning and physicality double onto themselves and each other. The central question always: How to live?

Inherent in such a process is the elimination of the borders of structure, architecture, politics, art, life, philosophy. There must be both an acute awareness of the structure, the borders of discipline, and the defined possibilities – as well as a freedom that stems from the ability to (de/re)construct these very structures of possibilities through experimentation, through the discovery and creation of openings that were not previously defined.

This is not a singular individualistic process – not a search for the self, but a search for a way. Necessarily this implies convergences and divergences. Research into other’s experiments and philosophies of living. Collaboration and construction with others whose processes overlap.

It is with this then, that I am submitting to you a description of a processes unfolding: with the hope that they will overlap or unfold upon another’s, perhaps your own.

a book of preface

a book of prefaces – a book that always begins again, speaks about itself, reconfigures itself
looking at the rock and the water, i felt the oneness , that it is arbitrary in our mindes which one we choose to follow, which one we choose to say moves.
this is not an academic book. this is a scavenged creation. like a nest, bits and pieces are taken from wherever i find them, arranged neatly, out of context inot a new assemblage. small scraps of newspaper removed from the level of inform(edi)ation are incorporated for only their participation in a physical level. windows are washed, fish are wrapped, oil from the car is soaked up – with yesterday’s news. i can only hope that this book finds as much use.
problems identified with writing (which parallel that of identity constructions)
language
tense
dichotomy, either/or
perspective
who is telling the story? how can we read/rewrite simultaneously
first/second/third person, self/other
inclusion
where are the borders of the book? what is/not part of the self/text?
how to eliminate the original and its authority?
ability to collaborate
possible attempts to correct include wiki, but also carry additional baggage and become empowerment structures to be inhabited
the idea of ‘experimental’ is not shock art. rather, the idea is to destroy the boundary between art and life. and in order to do this, one must destroy all binaries. self and other, author and reader, artist and viewer, original and copy. said another way, the identity, the self, the body must be attacked and radically altered to be beyond form, beyond definition. meditation is the practice of controlling one’s own consciousness, of redefining the self. ‘practice’ here being defined not as a simulation before the real event, but as a way of life which refines itself, ‘controls’ itself. what we are proposing then is this: being is becoming. is this not the premise of all experimentation? materialization as conceptualization. perhaps at first this list consists of (re)presentations, tracings, and directions, but it is our hope that these become pieces in a new collage, so to speak, pieces incorporated in a new life. that eventually, they are either abandoned as meaningless products and representations, or assimilated in totally new manners into something that does not refer beyond itself to a past or future, but is a simultaneous being/becoming. we do not wish to hear grandiose theories. death to all transcendence! riveting life immanence, simultaneously flat and infinite we are. the particles are not metaphorical, they are pieces. between the pieces is the self we construct, an intuition that operates on them. we are the interval.
we are taking extra interest in the introductions, as the introduction is where the text discusses itself, turns on itself, and lays out a strategy and structure that includes itself. in this way, the entire experiment is an introduction, always a new beginning, always going beyond itself and including itself in the design.
we hope not to delimit certain beliefs, in fact, one of the principles with which we set out on was to destroy all beliefs. (of which we now find to be sort of an impossibility – more later.) but we hope instead that we can form a coalition, a community that aids each other in an endless search, comrades on a journey, rather than members in a system.
the text turns on itself. the circle opens. we have been working for a few years on what was intended to be a book. as we explored the issues and experiments we were writing about, it became obvious that in fact, the idea of a book contained many of the problems we were trying to escape. specifically, a book contains definite limits as to what is included (and not included). a book implies an original, and through copyright/copyleft etc., a series of reproductions limited by this original. a book implies a conclusion. a book implies a beginning. a book is a product, rather than a living experiment. a book implies an author’s words as valued over the readers. a book implies trascendence. a book implies a closed list of authors, and a subjugation of the text to the identities or pseudo-identities of these authors.
we hope to overcome these divisions.
thus, we are not issuing a singular physical book. we are not issuing the book as a singular text. we are not issuing the book under our name, nor under a pseudonym. we are not creating our own space for collaboration on the book, i.e. a website or mailing list. (no more utopic spaces.) nor are we requesting that any specific subject headers indicate inclusion in the book. we do not wish to make any edges or borders distinguishable. by following the logic within the book, we have come to realize that the book must be destroyed.
there is no book. there is no author.
instead, we are creating a work without borders, a work without originals. we are creating a living experiment.
in order to accomplish this, we are employing the following strategies:
there is no pre-written book. there is no beginning nor end. there are only texts. there is an inherent limitation in posting via email in that, as with the book, there are distinguishable borders between one post and the next. we hope that these borders can be somewhat degraded through the use of strategies below.
texts will thus be broken down and issued, in order to provide gaps between.
the entire process is thus a continual unfolding. the texts learn from each other.
multiple versions of posts with the same name will be posted simultaneously to various mailing lists.
the limit imposed by the identity of the author is obliterated by posting anonymously. any and all can post and we cannot distinguish based on the author. the text must be used for what it is. we hope also to blur the limits of previous author identities by posting with others, with anonymous, by claiming and not claiming to be one of the anonymous. (it is worth noting here that anonymous posting to mailing lists, if done on the scale and intensity imagined here, could threaten the very identity-economy on which the mailing list is based. this means the texts may be filtered or digested or blocked. thus it is important to leech many a mailing list and make this anonymous writing experiment pervasive.)
glossary
‘we’ always includes you, the reader. ‘we’ is not to be taken as a third-party, but always, within the text, as self-inclusive. the reader is the author. the author is the reader. there is no longer a separation.
when you reply, please do not quote nor use > nor use any other marker of an ‘original’. instead, take whatever you want, discard what you don’t, write alternatives to what you disagree with, and give it back. there is no space for the critic here. we are all participants. we will only laugh and mock those identity-mongers who attempt to take an outside, meta, transcendent stance. death to all critics! we will only absorb or ignore you. we want experiments. we all experiment. we are all already part of the experiment. this includes quotes from other sources. avoid all proper names of authors and all quote marks. avoid merely forwarding or reposting. instead, edit ‘their’ text. eliminate the borders between them and you. make it not theirs, or yours, or ours, but a piece of the experimental construction.
eliminate headings. they imply a hierarchy. allow the text to speak for itself. to open itself to multiple meanings and contexts.
eliminate authorship. authors and identity imply hierarchy. refuse the attempts of so many to dissociate themselves from the chain of powers through claims on belonging to the nameless while preserving their own names. these are the people who know nothing of true equality, but instead propose their identity as a mediation between inequality and equality, boosting their own power through simulated dissociation of power.
eliminate either/or. eliminate not. (implies either/or) replace with and.
(re)presentation. (re)create. (re)author. the (re) implies that it is always never original, and never repeated. (re)production is not production or reproduction, but both simultaneously. (de/re)construction: simultaneously deconstruction, reconstruction and construction.
eliminate ownership. reader’s present becomes reader present. a conjugation rather than a hierarchy.
eliminate past and future tense.
this writing follows the spiral, a moving center expanding, never enclosed, never a circle. a convection current which changes all, which includes the self. the network is defined by the relations within it as they currently exist. the network always includes the self, discarding hierarchy. (the problem of the network is always mediation.) the creation always redefines the creator.
more language devices: avoid the tyranny of first, second, third person position avoid he, she, they, you (as other – you meaning an example self is ok) – these all imply other the fall of self/other implies the fall of large sections of language. it must be reconfigured.
===== from burroughs electric >this is of identity.< you are an animal. you are a body. now whatever you may be you are not an “animal”, you are not a “body”, because these are verbal labels. the is of identity always carries the assignment of permanent condition. to stay that way. all name calling presupposes the is of identity. this concept is unnecessary in a hieroglyphic language like ancient egyptian and in fact frequently omitted. no need to say the sun is in the sky, sun in sky suffices. the verb to be can easily be omitted from any languages and the followers of count korgybski have done this, eliminating the verb to be in english. however, it is difficult to tidy up the english language by arbitrary exclusion of concepts which remain in force so long as the unchanged language is spoken.
>the definite article the.< the contains the implication of one and only: the god, the universe, the way, the right, the wrong, if there is another, then that universe, that way is no longer the universe, the way. the definite article the will be deleted and the indefinite article a will take it’s place.
>the whole concept of either/or.< right or wrong, physical or mental, true or false, the whole concept of or will be deleted from the language and replaced by juxtaposition, by and this is done to some extent in any pictorial language where two concepts stand literally side by side. these falsifications inherent in the english and other western alphabetical languages give the reactive mind commands their overwhelming force in these languages. consider the is of identity. when i say to be me, to be you, to be myself, to be others- whatever i may be called upon to be or to say that i am- i am not the verbal label “myself.” >the word be in the english language contains, as a virus contains, its precoded message of damage, the categorial imperative of permanent condition.< to be a body, to be an animal. if you see the relation of a pilot to his ship, you see crippling force of the reactive mind command t
t h e   a e s t h e t i c s
o f  d e c o n s t r u c t i o n :

photographic gallery of architectural
construction and demolition sites

http://www.architexturez.com/decon

* latest css browsers required

< t e x t >

deconstruction is herein used as a generic
non-proprietary keyword to describe the
pragmatic utility of theoretical (theory-
rhetorical) ideas and ideologies.

nothing can be said in terms of reason nor
logic to further clarify, and importantly,
simplify the concepts based upon language
of which deconstruction represents. other
than that deconstruction, as a word, can
be seen to be of both ‘construction’ and
‘destruction’ in its structure, that is:

de-con-struction
de-    struction
con-struction

the symbolic enhancement of the word, in
its structural formalism, can be re-
presented as:

de|con-struction

wherein the pipe `|’ symbol represents
a logical dividing line, and the hypen
`-‘ represents a continuity between the
infrastructural fragments of the word.

therefore, de|con-struction, with logic
and reason aided by visual symbols, can
be seen as a questioning and answering.

the sublime language in which deconstruction
is used, as a keyword, is passively reflected
in its application of the language of signs,
and not as a vivid interrogation of language
as a symbolic logic of these message signals.

one example is in the realm of identity, in
which the language inherited by most english
readers/writers is fused with a perspective
which is inherently privatized. this is best
exemplified in gender, where the basis for
public and private identity, and thus language,
are grounded. it is more than coincidence that
the deconstruction of the individual is still
defined by gender today.

he      man        male        mankind
she    woman      female      womankind

s|he   wo|man     fe|male    wo|man-kind

a symbolic structural language transcending
gender as identity need include both gender
and its annihilation in the construction and
the destruction of individual identity.
aesthetics of deconstruction http://amsterdam.nettime.org/lists-archives/nettime-bold-0012/msg00452.html log: http://amsterdam.nettime.org/lists-archives/nettime-bold-0108/msg00141.html
first version wrote ~2002.
page last modified on october 10, 2005, at 04:03 pm

preface

a book of prefaces – a book that always begins again, speaks about itself, reconfigures itself

looking at the rock and the water, i felt the oneness , that it is arbitrary in our mindes which one we choose to follow, which one we choose to say moves.

this is not an academic book. this is a scavenged creation. like a nest, bits and pieces are taken from wherever i find them, arranged neatly, out of context inot a new assemblage. small scraps of newspaper removed from the level of inform(edi)ation are incorporated for only their participation in a physical level. windows are washed, fish are wrapped, oil from the car is soaked up – with yesterday’s news. i can only hope that this book finds as much use.

problems identified with writing (which parallel that of identity constructions)

language

tense

dichotomy, either/or

perspective

who is telling the story? how can we read/rewrite simultaneously

first/second/third person, self/other

inclusion

where are the borders of the book? what is/not part of the self/text?

how to eliminate the original and its authority?

ability to collaborate

possible attempts to correct include wiki, but also carry additional baggage and become empowerment structures to be inhabited

the idea of ‘experimental’ is not shock art. rather, the idea is to destroy the boundary between art and life. and in order to do this, one must destroy all binaries. self and other, author and reader, artist and viewer, original and copy. said another way, the identity, the self, the body must be attacked and radically altered to be beyond form, beyond definition. meditation is the practice of controlling one’s own consciousness, of redefining the self. ‘practice’ here being defined not as a simulation before the real event, but as a way of life which refines itself, ‘controls’ itself. what we are proposing then is this: being is becoming. is this not the premise of all experimentation? materialization as conceptualization. perhaps at first this list consists of (re)presentations, tracings, and directions, but it is our hope that these become pieces in a new collage, so to speak, pieces incorporated in a new life. that eventually, they are either abandoned as meaningless products and representations, or assimilated in totally new manners into something that does not refer beyond itself to a past or future, but is a simultaneous being/becoming. we do not wish to hear grandiose theories. death to all transcendence! riveting life immanence, simultaneously flat and infinite we are. the particles are not metaphorical, they are pieces. between the pieces is the self we construct, an intuition that operates on them. we are the interval.

we are taking extra interest in the introductions, as the introduction is where the text discusses itself, turns on itself, and lays out a strategy and structure that includes itself. in this way, the entire experiment is an introduction, always a new beginning, always going beyond itself and including itself in the design.

we hope not to delimit certain beliefs, in fact, one of the principles with which we set out on was to destroy all beliefs. (of which we now find to be sort of an impossibility – more later.) but we hope instead that we can form a coalition, a community that aids each other in an endless search, comrades on a journey, rather than members in a system.

the text turns on itself. the circle opens. we have been working for a few years on what was intended to be a book. as we explored the issues and experiments we were writing about, it became obvious that in fact, the idea of a book contained many of the problems we were trying to escape. specifically, a book contains definite limits as to what is included (and not included). a book implies an original, and through copyright/copyleft etc., a series of reproductions limited by this original. a book implies a conclusion. a book implies a beginning. a book is a product, rather than a living experiment. a book implies an author’s words as valued over the readers. a book implies trascendence. a book implies a closed list of authors, and a subjugation of the text to the identities or pseudo-identities of these authors.

we hope to overcome these divisions.

thus, we are not issuing a singular physical book. we are not issuing the book as a singular text. we are not issuing the book under our name, nor under a pseudonym. we are not creating our own space for collaboration on the book, i.e. a website or mailing list. (no more utopic spaces.) nor are we requesting that any specific subject headers indicate inclusion in the book. we do not wish to make any edges or borders distinguishable. by following the logic within the book, we have come to realize that the book must be destroyed.

there is no book. there is no author.

instead, we are creating a work without borders, a work without originals. we are creating a living experiment.

in order to accomplish this, we are employing the following strategies:

there is no pre-written book. there is no beginning nor end. there are only texts. there is an inherent limitation in posting via email in that, as with the book, there are distinguishable borders between one post and the next. we hope that these borders can be somewhat degraded through the use of strategies below.

texts will thus be broken down and issued, in order to provide gaps between.

the entire process is thus a continual unfolding. the texts learn from each other.

multiple versions of posts with the same name will be posted simultaneously to various mailing lists.

the limit imposed by the identity of the author is obliterated by posting anonymously. any and all can post and we cannot distinguish based on the author. the text must be used for what it is. we hope also to blur the limits of previous author identities by posting with others, with anonymous, by claiming and not claiming to be one of the anonymous. (it is worth noting here that anonymous posting to mailing lists, if done on the scale and intensity imagined here, could threaten the very identity-economy on which the mailing list is based. this means the texts may be filtered or digested or blocked. thus it is important to leech many a mailing list and make this anonymous writing experiment pervasive.)

glossary

‘we’ always includes you, the reader. ‘we’ is not to be taken as a third-party, but always, within the text, as self-inclusive. the reader is the author. the author is the reader. there is no longer a separation.

when you reply, please do not quote nor use > nor use any other marker of an ‘original’. instead, take whatever you want, discard what you don’t, write alternatives to what you disagree with, and give it back. there is no space for the critic here. we are all participants. we will only laugh and mock those identity-mongers who attempt to take an outside, meta, transcendent stance. death to all critics! we will only absorb or ignore you. we want experiments. we all experiment. we are all already part of the experiment. this includes quotes from other sources. avoid all proper names of authors and all quote marks. avoid merely forwarding or reposting. instead, edit ‘their’ text. eliminate the borders between them and you. make it not theirs, or yours, or ours, but a piece of the experimental construction.

eliminate headings. they imply a hierarchy. allow the text to speak for itself. to open itself to multiple meanings and contexts.

eliminate authorship. authors and identity imply hierarchy. refuse the attempts of so many to dissociate themselves from the chain of powers through claims on belonging to the nameless while preserving their own names. these are the people who know nothing of true equality, but instead propose their identity as a mediation between inequality and equality, boosting their own power through simulated dissociation of power.

eliminate either/or. eliminate not. (implies either/or) replace with and.

(re)presentation. (re)create. (re)author. the (re) implies that it is always never original, and never repeated. (re)production is not production or reproduction, but both simultaneously. (de/re)construction: simultaneously deconstruction, reconstruction and construction.

eliminate ownership. reader’s present becomes reader present. a conjugation rather than a hierarchy.

eliminate past and future tense.

this writing follows the spiral, a moving center expanding, never enclosed, never a circle. a convection current which changes all, which includes the self. the network is defined by the relations within it as they currently exist. the network always includes the self, discarding hierarchy. (the problem of the network is always mediation.) the creation always redefines the creator.

more language devices: avoid the tyranny of first, second, third person position avoid he, she, they, you (as other – you meaning an example self is ok) – these all imply other the fall of self/other implies the fall of large sections of language. it must be reconfigured.

===== from burroughs electric >this is of identity.< you are an animal. you are a body. now whatever you may be you are not an “animal”, you are not a “body”, because these are verbal labels. the is of identity always carries the assignment of permanent condition. to stay that way. all name calling presupposes the is of identity. this concept is unnecessary in a hieroglyphic language like ancient egyptian and in fact frequently omitted. no need to say the sun is in the sky, sun in sky suffices. the verb to be can easily be omitted from any languages and the followers of count korgybski have done this, eliminating the verb to be in english. however, it is difficult to tidy up the english language by arbitrary exclusion of concepts which remain in force so long as the unchanged language is spoken.

>the definite article the.< the contains the implication of one and only: the god, the universe, the way, the right, the wrong, if there is another, then that universe, that way is no longer the universe, the way. the definite article the will be deleted and the indefinite article a will take it’s place.

>the whole concept of either/or.< right or wrong, physical or mental, true or false, the whole concept of or will be deleted from the language and replaced by juxtaposition, by and this is done to some extent in any pictorial language where two concepts stand literally side by side. these falsifications inherent in the english and other western alphabetical languages give the reactive mind commands their overwhelming force in these languages. consider the is of identity. when i say to be me, to be you, to be myself, to be others- whatever i may be called upon to be or to say that i am- i am not the verbal label “myself.” >the word be in the english language contains, as a virus contains, its precoded message of damage, the categorial imperative of permanent condition.< to be a body, to be an animal. if you see the relation of a pilot to his ship, you see crippling force of the reactive mind command t

t h e a e s t h e t i c s

o f d e c o n s t r u c t i o n :

photographic gallery of architectural

construction and demolition sites

http://www.architexturez.com/decon

* latest css browsers required

< t e x t >

deconstruction is herein used as a generic

non-proprietary keyword to describe the

pragmatic utility of theoretical (theory-

rhetorical) ideas and ideologies.

nothing can be said in terms of reason nor

logic to further clarify, and importantly,

simplify the concepts based upon language

of which deconstruction represents. other

than that deconstruction, as a word, can

be seen to be of both ‘construction’ and

‘destruction’ in its structure, that is:

de-con-struction

de- struction

con-struction

the symbolic enhancement of the word, in

its structural formalism, can be re-

presented as:

de|con-struction

wherein the pipe `|’ symbol represents

a logical dividing line, and the hypen

`-‘ represents a continuity between the

infrastructural fragments of the word.

therefore, de|con-struction, with logic

and reason aided by visual symbols, can

be seen as a questioning and answering.

the sublime language in which deconstruction

is used, as a keyword, is passively reflected

in its application of the language of signs,

and not as a vivid interrogation of language

as a symbolic logic of these message signals.

one example is in the realm of identity, in

which the language inherited by most english

readers/writers is fused with a perspective

which is inherently privatized. this is best

exemplified in gender, where the basis for

public and private identity, and thus language,

are grounded. it is more than coincidence that

the deconstruction of the individual is still

defined by gender today.

he man male mankind

she woman female womankind

s|he wo|man fe|male wo|man-kind

a symbolic structural language transcending

gender as identity need include both gender

and its annihilation in the construction and

the destruction of individual identity.

aesthetics of deconstruction http://amsterdam.nettime.org/lists-archives/nettime-bold-0012/msg00452.html log: http://amsterdam.nettime.org/lists-archives/nettime-bold-0108/msg00141.html

first version wrote ~2002.

page last modified on october 10, 2005, at 04:03 pm

the calculus of infinite horizons


i cannot see the horizon, it just blurs from water to sky

sailing on clear waters, suspended on an invisible plane, propelled by the (placement of the self as a linkage of) friction between planes

flying is different, flying incurs the loss of a ground, even an invisible one. or perhaps we should say that the ground-plane, the plane of difference has enlarged and swallowed us, the possibilities have become three dimensional, 

we are propelled by the friction between the self and the plane, by the displacement caused by the self as vector. the change in the environment affected around the self changes the position of the self in relation to the environ. the self inhabits its own derivative, its own differential, its own calculus. 

the plane of conscious is the derivative, and the derivative's derivative, infinitely extending and morphing, changing the self, the self's position and velocity and acceleration.... and vice-versa.

the self not as navigator and frictional linkage between differential planes, but as creator and created within the plane of the differential.
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091401










and thus, the internal discourse, the discourse within and between the confines, between the towers is interrupted,
destroyed.

within an implosive absence, a sucking of air, a gasping for breath.




and this is the strategy which cannot be accepted.

and thus, the absence is filled with the act of absence. 
the event is dissipated through radical proliferation. 
a strategy of containment through appropriation. 
a dismantling through absorption.
the absence is filled with image. 

we are merely within, between, temporary, intermediate.

through a constant replay of images, looped
the beginning, overtly / repetitiously / necessarily tied to the promised end. 
the loss of control tied to the regaining of a greater control.
the other conquered by the self.
the evil dominated by the good.


a new equation, a new discourse: 
'the destruction of internal discourse yields unity.'

the aggression upon discourse places itself as the opposite pole as an object, 


objectless.



for this is the real strategy of the act of terror: 


a destruction of controlled discourse. 
a failure of order, of control, of division, of distribution.
the implosion of the internal equivalence of economy. 
an absence without end. 
an effect without cause. 
an enemy without other. 
an impotent vengeance and a sterile justice. 



in this, 
the awkward present 
without justice, 
without enemy, 
without retribution, 

all eyes are averted from this, 


the gaping and unfillable absence.
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milk production devices

milk producing devices

the buildings are as long as the horizon, the white light bounces off of the long white roofs. the forms are so pure and unrelenting, like a raised horizon.

each building is a quarter mile long. so far they have built two. when this site is done, their will be four of these barns (freestall). then they have another site just down the road, which will be identical to this one.
after approaching one of the building’s ends; past a landscape of pure green grass sloping up to the raised white horizon, above the vivid blue sky; the scale is startling when you look down the axis. the very peak of the roof isn’t there (to let the heat rise out) and lets a linear shaft of light in which runs the length of the building, falling in the exact same place the entire length. a quarter mile three foot shaft of light. the light was fallng directly on the quarter mile by two foot by a couple inches deep pile of hay-type food mixture, it had obviously been placed by some machine. there were two quarter mile piles of food, only one of which was illuminated during my visit. other than that and some movable milk producing devices, the entire building, and site, were symmetrical. so on both sides of the main aisle which vehicles and other machines could move through, were the quarter mile, mechanically laid piles of raw materials, which have been carefully engineered to produce the maximum efficiency of output. milk production devices sit within steel tube freestalls shich run the length of the building. about 750 on each side. on the outside edge of the stalls are the circulation aisles for the production devices.

this is also where byproducts accumulate. a large scraper runs the length of the building to collect the byproduct from the concrete by scraping it into grates. from there, the byproduct is pumped into a large rubber-lined holding pond situated between the buildings. alcohol is siphoned off to another pond, and the remaining fertilizer byproduct is pumped to another pond to partially dehydrate before its implementation in the surrounding fields of where engineered raw materials are produced, or its sale to other producers.
the long sides of the buildings are open, except for small steel tube to keep the random wanderings of the milk production devices from wandering onto the pristine fields of grass surrounding the metastructures. during cold weather, canvas flaps are implemented to keep the milk production devices from freezing up. having the sides open allows for the methane byproduct to blow through the metastructure, therefore not endangering output or the metastructure, which is built with galvanized steel in order to withstand the byproducts.

various mechanical steel pieces are utilized in order process the traditionally autonomous decentralized milk production devices in an orderly manner. gates open and close to walk ways which lead to a large holding pen. the entire back side of the holding pen is a moving steel tube wall which moves forward, pushing the milk producing devices into a gate which narrow down allowing only one mpd to enter at a time. the mpd enters a stall which has a computerized device which measures the amount of product produced. this information is kept separately for each mpd through use of an ingenious microchip attached to the mpd. this allow monitoring of the mpd, so that when production falls off, the mpd can either be scrapped for parts, or re-fertilized. The mpd’s through re-fertilization, actually have the ability to produce, as by-products, replicants. Since half of the replicants are not mpd’s, they are sold off. Even many of the mpd replicant byproducts are sold off since the rate of production of byproduct replicants far exceeds the amount of mpd’s needed for the production process.

once in the stall, the multi-pronged product receivers are placed on the ‘udders’ of the mpd’s. 72 stalls are arranged in a 50 foot diameter circle. the entire circle of receiver stalls rotates, one mpd is loaded while another is unloaded while the other 70 are in product delivery process. all of the mpd’s face forward into the slowly moving piece of enormous machinery. small fleshy parts of a gigantic machine.
from there the milk is pumped into revolving separation and storage bins, then pumped into large round stainless steel semi-truck trailers, then taken to a packaging plant, packaged, and delivered to various intermediary stores, where it can be purchased, taken home by the purchaser, and enjoyed over your favorite breakfast cereal. or left to spoil in your fridge.

aerial of barns